From 2022-2023 Writer-in-Residence, Leah Horlick— Recent obsessions: a reading list for National Poetry Month
TypicalIy, I love making lists. Putting together recommendations like these, however, is neither groceries nor chores and thus it makes me pretty anxious. Our community is very small. Many of us know one another. I often have a sense of being “behind” in what I “should” have read by now. Selecting books involves a lot of perseverating: Is the list too short? Why can’t I just include everything from everyone I love? (Then the list would be too long!) Why can’t I just tell everyone to read everything they can still get their hands on from Rahila’s Ghost? (But I can! And I’ve just done it. And I mean it! You really should, if you can.)
But I do love to talk about what I’ve read. And I feel really strongly about opportunities to highlight books from small presses. So I added a few constraints to cut down on my ruminating: I wanted to highlight books I think about all the time during my recent writing bouts; books that are recent but not new, or part of the fresh fall 2022 or spring 2023 launch cycles; books that are exclusively from small and independent presses across colonial Canada; books I haven’t blurbed; and those that I haven’t already recommended elsewhere online. Some of these you can still buy from these publishers; others were very limited-edition and you may have to ask a bookworm to borrow, or sniff around a few libraries. (These are some of my favourite books to recommend or seek out on my own, because they often don’t get enough attention, and also then you have a quest. I love a good quest.)
Most importantly, I wanted to highlight these incredible texts for their expansive and powerful use of form, their rich and fraught emotional landscapes, and how they’ve taught me to think about poetry in new ways. Many of you know I’m writing a novel for the first time as part of my residency. While it might sound counterintuitive, these works of poetry have brought me a deep sense of possibility and hope while I explore working in a new discipline. I’m very grateful to the authors and their publishers for bringing these books into the world. Happy National Poetry Month!
ʔbédayine by Kaitlyn Purcell (Metatron, 2019)
In Edmonton, Ronnie learns what it is to be a young Indigenous woman, almost-alone in the city; unable to hear herself over its noise, see through the glare of its lights to find the ground beneath her feet. Stories of addiction, self-discovery, and the love of a good friend come together to form ʔbédayine, Kaitlyn Purcell’s breathtaking debut.
New Infinity by Bára Hladik (Metatron, 2022)
New Infinity is an experimental novella that follows a woman as she lives and dreams her way through the philosophical implications of autoimmune disease. Met by a labyrinth of closing doors, she searches for meaning and connection among fragmented realities and failed relationships, finding infinitude in the healing process of bibliomancy. Where physical health and financial resources grow scarce, the restorative possibilities of queer love, divination, and self-reclamation grant a defiant, yet often tenuous, abundance. Alive with Hladík’s boundless insight and wit, New Infinity is a powerful addition to the collective body of disability literature.
Bones by Tyler Pennock (Brick, 2020)
Bones, Tyler Pennock’s wise and arresting debut, is about the ways we process the traumas of our past, and about how often these experiences eliminate moments of softness and gentleness. Here, poems journey inward, guided by the world of dreams, seeking memories of a loving sister lost beneath layers of tragedy and abuse. With bravery, these poems stand up to the demons lurking in the many shadows of their lines, seeking glimpses of a good that is always just out of reach.
Grey All Over by Andrea Actis (Brick, 2021)
Late in the evening of December 13, 2007, Andrea Actis found her father, Jeff, facedown dead in her East Vancouver apartment. So began her passage through grief, self-reckoning, and graduate school in Providence, Rhode Island, where the poetics she studied (and sometimes repudiated) became integral to her gradual reconstruction of wholeness. Grey All Over not only celebrates a rare, close, complicated father-daughter bond, it also boldly expands the empathetic and critical capacities of poetry itself. In pulling us outside the comfort zones of received aesthetics and social norms, Actis asks us to embrace with whole seriousness “the pragmatics of intuition” in all the ways we read, live, and love.
Remitting by Nisa Malli (Baseline, 2019)
2020 bpNichol prize judges’ citation: Remitting delicately weaves contemporary lyric with the precise registers of medical and conversational speech. Nisa Malli…is an assured and singular voice with an “unwillingness/to be bent like a bird’s wing.” Baseline publisher Karen added “I couldn’t be more grateful that Baseline had the opportunity to publish Nisa Malli’s Remitting. When I received Nisa’s manuscript – a collection of intimate, haunting poems which focus on chronic illness and pain – I was completely drawn in by the way she placed the gorgeous beside the dark, and the work that these poems did. Many thanks to Nisa for entrusting Baseline to share them with the world. Ongoing thanks to the Meet The Presses collective, for giving the small press community a space to gather and connect, and to this year’s contest judges, Canisia Lubrin and Souvankham Thammavongsa.
Visit the CDWP's 2023 National Poetry Month bookshelf on Goodreads to add these titles to your want to read list.