Mainstage Dance

March 14-16, 2024 at 7:30 p.m.
University Theatre, University of Calgary

$22 (adults) /$17 (students*/seniors)

*Part of the Claim Your Seat program. UCalgary students can request their free ticket in-person at the box office or online, limited quantity available! UCalgary employees, emeriti and alumni receive 50% off for themselves and one guest.

University of Calgary School of Creative and Performing Arts, Dance Division, Mainstage

Artistic Directors' Note

Each year Mainstage Dance offers a chance to witness the performance development of students enrolled in the Dance major program at UCalgary. Students audition to work with a professional choreographer from the community or from further afield for eight weeks, after which they share their creations with an audience. But the performance also offers a series of invitations – invitations to explore, dive deeper, gather information, and enact embodied experiments. This year is no exception as three choreographers embarked on such invitational journeys with the students. For Heather Ware, the invitation to examine the tools for building capacity took centre stage; for Tara Wilson, concepts of and strategies for creating community was top of mind; and, for me, the media’s portrayal of the economy held specific interest. As we dove into these ideas through movement, performance and spoken word, we enjoyed the collaborative dialogue between our own choreographic research and the students’ efforts to engage with such research. We hope you enjoy the results!

- Melanie Kloetzel, Artistic Director/Dance Division Lead

Program

Created by Heather Ware, in collaboration with the dancers:
Liz Bibby, Lauren Falk, Emilie Field, Chiarra Garet, Gracie Mills, Gabi Rybar, Madi Stuwe, and Elexie Tracy

Music: 
Outkast, B.O.B (Bombs over Baghdad)
Bryce Dessner / Kronos Quartet: Aheym
Bela Bartok: Don’t Leave Me (arranged and performed by Jakob Koranyi)
Pauline Oliveros: Tuning Meditation (score)
LCD Soundsystem: All My Friends

Student Production Assistants: Kyrie Catolico and Mayra Hileman

Program Notes:
We are looking to find motion, momentum, to generate movement from a place of destabilization, from a state of continual loss of balance. We are searching for the edges of our stability, to build capacity. Capacity through self, capacity through connection, capacity through joy. Joy, being what we can share. To reach a place where we need each other, and where we have the tools to lift each other up. This piece is a search for flight.

Thanks: 
Mayra Hileman, Kyrie Catolico, and my deep thanks to the dancers, for their trust, their engagement, and for their belief in dance.

Choreography: Tara Wilson in collaboration with the dancers

Music: 
Flying Lotus, Blackstreet, A.D.O.R.

Dancers:
Olivia Carmelo, Ella Doney, Olyvia Hoban, Hazel Lewis, Nadia Marchan, Emily Sadler, Caitlin Towers, Jenna Wadden

Rehearsal Assistant: Kim Nguyen:
Kaeja Elevations Training: Ryan Everett:
Backstage Assistants: Allison Vliet and Janelle Liang

Thanks:
To the cast for their incredible hard work, courage , trust and vulnerability in stepping into and learning a form, culture, technique and language so new to them and for bringing this work to life on stage.

Direction: Melanie Kloetzel

Choreography: Melanie Kloetzel in collaboration with the dancers

Performers: Jolie Che, Madeleine Graham, Shaïna Jean-Baptiste, Tess Knoll, Morgan Lawrence, Rachel McKinnon, Rachel Merchant, Kiki Roberts, Jamie Stock, Maia Stothert and Shayla Waschuk

Script: Melanie Kloetzel

Voiceover: Jocelyn Leiver, Bernardo Pacheco, Taylor MacLeod, Kevin Leiver, Melanie Kloetzel

Music: 
Paul Lansky (Sō Percussion), David Lang (Evelyn Glennie), Phil Kline (Sarah Cahill, Zach Miskin), Evelyn Glennie, John Lurie, Todd Reynolds (Zach Miskin and Todd Reynolds), Jan Dvořák (Ensemble Resonanz), Thomas Albert (Eighth Blackbird), Julia Wolfe (Ensemble Resonanz)

Student Production Assistants: Addi Campbell, Riley Holroyd

Program Notes:
What Matters began as a both an homage and an experiment. It is an artistic homage to Crystal Pite and Jonathon Young, whose work with movement and text continues to inspire me, as well as to the Japanese form of Bunraku, which has experimented with disjointing sound delivery and the moving form for centuries. But it is also an experiment that attempts to bring two disparate disciplines – performance and economics – into dialogue. To enact this dialogue, I dove into the media’s personification of the economy, in particular how the ‘economy’ becomes an anthropomorphized figure that we are expected to care for in a deep and abiding manner. I used this concern as a metaphor to create a dance theatre satire that highlights our economic reality and its gross inequities. I look forward to further dialogue…. 

Thanks:
A huge thank you to a very special cast who was willing to test their comfort zones in extraordinary ways, as well as a special thanks to the voiceover crew and production assistants. Also, enduring gratitude to the activists and artists, particularly from Indigenous communities and the Global South, who try – on a daily basis – to underscore the injustices and inequities of an economic system based on unsustainable growth and greed.
 

Choreographers

Melanie Kloetzel

Melanie Kloetzel (she/her; MFA, PhD) is a settler performance maker, scholar and educator based in Treaty 7 territory (Moh’kinsstis/Calgary). Director of the dance theatre company kloetzel&co. and co-director of the art intervention collective TRAction (which produces the Climate Art Web), Kloetzel has developed events, workshops and encounters in theatre spaces, alternative venues, spaces of public assembly, and online environments across four continents. Her award-winning films have garnered such accolades as Best of Fest (Sans Souci Festival of Dance Cinema, USA), Best Documentary (Mabig Film Festival, Germany; DC After Dark, USA), Best Female Short (Freedom Festival International, USA) and Best Experimental Film (GO Independent International Film Festival, USA). Her publications can be found in Dance Research JournalContemporary Theatre ReviewChoreographic PracticesNew Theatre Quarterly, Performance Matters, and Performance Research, among others, and her books –  the co-edited anthology Site Dance: Choreographers and the Lure of Alternative Spaces (2009), the co-authored (Re)Positioning Site Dance: Local Acts, Global Perspectives (2019)and the co-authored Covert: A Handbook (2021)  are currently available from University Press of Florida, Intellect, and Triarchy Press, respectively.

Heather Ware

Canadian dancer/choreographer Heather Ware was a core dancer of LeineRoebana in Amsterdam (Netherlands) from 2003-2018. In 2010 Heather was awarded de Zwaan(the Swan) for most impressive dance performance of the year, and from 2015-2017 was the recipient of a Nieuwe-Makers Regeling from the Dutch Performing Arts Fund.

Heather is fascinated by the possibilities of the dancing body, and how complex coordinations affect how we experience emotion. As a choreographer Heather is known for her in-depth collaborations with musical partners, notably cellist Jakob Koranyi, violist Oene van Geel, and composer Rebecca Bruton. Her work has been presented throughout Europe and has been supported by Banff Centre (Canada), Kulturhuset i Ytterjärna (Sweden) and Podium Bloos (Netherlands). For 2019-2021 seasons Heather was one of the Artists in Residence with Dancers’ Studio West. Since 2019 Heather has been affiliated with the University of Calgary, where she teaches contemporary technique and Interdisciplinary studies. 

Tara Wilson

Tara Wilson is a dancer, educator and choreographer based in Calgary. With a background in Contemporary dance and over 20 years of experience in Hip Hop and Streetdance, she has developed an artistic style that blends the athleticism, rhythm and vocabulary of Hip Hop dance with the process and approaches of Contemporary dance.

Her passion for dance began in university, and she went on to pursue a degree in dance from the University of Calgary. While studying at the university, she was introduced to Hip Hop and Streetdance at the Bates Dance Festival, and became instantly hooked. She began to train intensively in these styles and has since traveled around the world to train with masters and hone her skills.

She has learned from the pioneers of Hip Hop and Streetdance and has extensive knowledge of the dances as well as the history and culture. 

Today, she teaches Hip Hop dance and history at the University of Calgary and at her own dance studio: PULSE Studios- which specializes in Hip Hop and Streetdance. She is deeply committed to sharing her love of dance with others, and strives to create an inclusive and supportive environment for her students to explore their creativity and develop their skills.

As a choreographer, she is interested in exploring the intersection of different dance styles and pushing the boundaries of what is possible through this exploration. She has collaborated with dancers and artists from a wide range of backgrounds and disciplines, and is always looking for new ways to challenge herself and the audience.

In all of her creative endeavors, her goal is to create work that is both visually stunning and emotionally resonant.

Credits

Venue - Facilities, Equipment and Production Coordinator: ALÈN MARTEL: 
Light Designer: KRIS MISH

  1. Staff

    Director BRUCE BARTON
    Associate Director ALLAN BELL
    Dance Division Lead MELANIE KLOETZEL
    Drama Division Lead CHRISTINE BRUBAKER
    Music Division Lead JEREMY BROWN
    Production Manager ANDREW NORTH
    Performance and Artist Coordinator ALIDA LOWE
    Communications and Marketing Advisor SATOKO (TOKIE) ONODA
    Department Operations Manager MARY LOU MENDYK
    Administrative Assistant ALEXANDRA LYONS
    Academic Program Specialist ROSABEL CHOI
    Academic Program Specialist CONSTANTINA CALDIS ROBERTS
    Graduate Program Advisor ALISON SCHMAL

  2. Theatre Services

    Venue & Client Relations Manager DAVID FRASER
    Venue Business Administrator ABIR BACHIR
    Booking Administrator CATHERINE ROULEAU
    Front of House Manager KRISTINE ASTOP
    Audio Technician ALEX BOHN
    Lighting Technician JASON SCHWARZ
    Scenic Carpenter SCOTT FREEMAN
    Stage Technician IAN WILSON